Andrew Cunningham and Lee Hutchinson have spent decades of their lives with Robert Jordan and Brandon Sanderson’s Wheel of Time books, and they previously brought that knowledge to bear as they recapped each first season episode and second season episode of Amazon’s WoT TV series. Now we’re back in the saddle for season 3—along with insights, jokes, and the occasional wild theory.
These recaps won’t cover every element of every episode, but they will contain major spoilers for the show and the book series. We’ll do our best to not spoil major future events from the books, but there’s always the danger that something might slip out. If you want to stay completely unspoiled and haven’t read the books, these recaps aren’t for you.
New episodes of The Wheel of Time season three will be posted for Amazon Prime subscribers every Thursday. This write-up covers episode four, “The Road to the Spear,” which was released on March 20.
At least for me, when I got to this point (which happens in book four and is being transposed forward a bit by the show), this felt like the first time author Robert Jordan was willing to pull the curtain back and actually show us something substantive about what’s really happening. We’ve already gotten a couple of flashbacks to Coruscant The Age of Legends in the show, but my recollection is that in the books, Rand’s trip through the glass columns is the first time we really get to see just how advanced things were before the Breaking of the World.
Our heroes approach Rhuidean, the clouded city.
Credit:
Prime/Amazon MGM Studios
Because yes, it’s a big character moment for Rand, but it’s also grappling with some of the story’s big themes—the relationship between past, present, and future and how inextricably they’re all intertwined—and building a world that’s even bigger than the handful of cities and kingdoms our characters have passed through so far.
So do we think they pulled it off? Do you want to start with the Aiel stuff we get before we head into Rhuidean?
I appreciate that we’re actually spending more time with the Aiel here, allowing us to see a few of them as people rather than as tropey desert-dwellers. And I appreciate that we continue to be mercifully free of Robert Jordan’s kinks. The Shaido Wise One Sevanna, for example, is as bedecked in finery and necklaces as her book counterpart, but unlike the book character, the on-screen version of Sevanna seems to have no problem keeping her bodice from constantly falling down.
On the whole, though, the impression the show gives is that being Aiel is hard and the Three-Fold Land sucks. It’s not where I’d want to pop up if I were transported to Randland, that’s for sure.
Sevanna’s hat is extremely fancy.
Credit:
Prime/Amazon MGM Studios
Playing into the series’ strict One Power-derived gender binary, men have to face the past to see that their proud and mighty warrior race are actually honorless failed pacifists. Women are made to reckon with every possible permutation of the future, no matter how painful.
It’s just an interesting thought experiment, given how many historical errors and atrocities have repeated themselves because we cannot directly transfer firsthand memories from generation to generation. How would leaders lead differently if they could see every action that led their people to this point? If they could glimpse the future implications of their current actions? And isn’t it nice to imagine some all-powerful, neutral, third-party arbiter whose sole purpose is to keep people who don’t deserve to hold power from holding it? Sigh.
Anyway, I think the show visualizes all of this effectively, even if the specifics of some of the memories differ. We can get into the specifics of what is shown, if you like, but we get a lot of Rand and Moiraine here, after a couple of episodes where those characters have been backgrounded a bit.
Your point about leaders perhaps acting differently if forced to face their pasts before assuming leadership is solid, and as we see, some of the Aiel just cannot handle the truth: that for all the ways that honor stratifies their society, they are at their core descended from oath-breakers, offshoots of the “true” pacifist Jenn Aiel who once served the Aes Sedai. Some Aiel, like Couladin’s brother Muradin, are so incapable of accepting that truth that death—along with some self-eyeball-scooping—is the only way forward.
The thing that I appreciate is that the portrayal of the past succeeds for me in the same way that it does in the books—it viscerally drives home the magnitude of what was lost and the incomprehensible tragedy of the fall from peaceful utopia to dark-age squalor. The idea of sending out thousands of chora tree cuttings because it’s literally the last thing that can be done is heart-breaking.
Sometimes the make-up works, sometimes it feels a little forced.
Credit:
Prime/Amazon MGM Studios
But yes, as Rand says to Aviendha once they have both been through the wringer of their respective tests, he now knows enough about the Aiel to know how much he doesn’t know.
We don’t see any of Aviendha’s test, though she enters Rhuidean at the same time as Rand and Moiraine. (Rand enters because he is descended from the Aiel, and they all think he’s probably the central character in a prophecy; Moiraine goes in mainly because an Aiel Wise One accidentally tells her she’ll die if she doesn’t.) At this point we have pointedly not been allowed glimpses into Aviendha or Elayne’s psyches, which makes me wonder if the show is dancing around telling us about A Certain Polycule or if it plans to downplay that relationship altogether.
I feel like the show is too respectful of the major relationships in the books to skip it, but they are playing some cards close to the chest.
I loved the way this was portrayed on screen—it perfectly matched what I’ve been seeing in my head for all these years, with the sky crinkling up into screaming blackness as the Collam Daan drops to the ground and shatters.
Good stuff. Definitely my favorite moment of the episode. What was yours?
This is not a good sign.
Credit:
Prime/Amazon MGM Studios
As we see from both Moiraine and Aviendha, the women’s version of the test isn’t the glass columns, but a series of rings. You jump in and spin around like you’re a kid at space camp in that zero-g spinny thing. I am sure that it has a name and that you know what the name is.
And unlike in the books, nobody has to do this naked!
Credit:
Prime/Amazon MGM Studios
But the one thing that comes back over and over again, and the most memorable bit of the episode for me, is a long string of visions where Lanfear kills Moiraine, over and over and over again.
Both Moiraine and Rand have been playing footsy with Lanfear this season, imagining that they can use her knowledge and Lews Therin lust to get one over on their enemies. But both Rand and Moiraine have now seen firsthand that Lanfear is not someone you can trust, not even a little. She’s vengeful and brutal and as close to directly responsible for the Current State Of The World as it’s possible to be (though the flashback we see her in leaves open the possibility that it was accidental, at least at first). What Rand and Moiraine choose to do with this knowledge is an open question, since the show is mostly charting its own path here.
You’re also right that we’re kind of off the map here with what’s going to happen next. In the books, several other very important things have happened before we make it to Rhuidean, and Rand’s relationship with Moiraine is in a vastly different state, and there are, shall we say, more characters participating.
Pulling Rhuidean forward in the story must have been a difficult choice to make, since it’s one of the key events in the series, but having seen it done, I gotta commend the showrunners. It was the right call.
The show’s most consequential change was the decision to center Rosamund Pike’s Moiraine as a more fully realized main character, where the books spent most of their time centering Rand and the Two Rivers crew and treating Moiraine as an aloof and unknowable cipher. Ultimately an ally, but one who the characters (and to some extent, the readers) usually couldn’t fully trust.
“Twice and twice shall he be marked.”
Credit:
Prime/Amazon MGM Studios
It’s a pensive ending, and everyone who emerges from Rhuidean emerges changed. Rand marches out from the city as the dawn breaks, fulfilling prophecy as he does so, carrying an unconscious Moiraine in his dragon-branded arms. Rand has the look of someone who’s glimpsed a hard road ahead, and we fade out to the credits with a foreboding lack of dialog. What fell things will sunrise—and the next episode—bring?!

+ There are no comments
Add yours